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8 SEASONS

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Entourage quotes

195 quotes · page 6 of 13

Entourage
All S1 S2 S3 S4 S5 S6 S7 S8

S3 E16Gotcha

[At dinner, Ari gets rowdy over how hot Scott Siegal's fiancee is]

Just as I'm sure wherever you got with this little hottie will be more than amazing. [slightly touches her] Fuck it will be orgasmic. I mean, I'm sorry I don't mean to be rude, but ever since you got here, I have not been able to take my eyes off your ass! I mean, it's the perfect shape! It's like God came down, hand-crafted it, put it on a little silver tray, and hand-delivered it to my man, Scotty! Bravo, Scotty boy! [slams fist on table; Scott's fiancee is rankled] Bravo! I'm gonna get some Scotch!

S3 E17Return of the King

[At Wilshire Boulevard Temple Ari and Nick Rubenstein try to convince studio president Arthur Gatoff about approving Vince's talent fee to replace Benicio del Toro in Medellin. He is not happy to see them]

AGArthur Gatoff

This is wildly inappropriate coming to my shul, this day of all days, to discuss money. I have a bad enough reputation here after the hellish divorce I've just gone through.

At least you're at a place where you can meet a nice Jewish girl, Arthur. [Gatoff looks at him] Come on, we were at temple too. This is time sensitive, God would understand! We all have to take care of our own -

GGatoff

Ari, I have to go back inside.

NRNick Rubenstein

Arthur, you said you'd meet Vince's quote.

GGatoff

You said his quote was three.

RRubenstein

I was wrong.

GGatoff

You and your father have been wrong about a lot of things on this one, Nick. Maybe animation is more your bag.

RRubenstein

Wow, cut the Rubensteins like that, on the high holiday...

GGatoff

I'm sorry, forgive me.

RRubenstein

Arthur, I forgive you, but just make a quick phone a call it'll take a second, but -

GGatoff

Nick, I don't know what goes on at that half-church reform synagogue of yours, but here, we don't talk business on Yom Kippur. Now please, before I get angry... [leaves]

[Mrs Ari has caught Ari and Nick Rubenstein using the cellphone on Yom Kippur to negotiate for Vince working with in Paul Haggis' Medellin shoot after Benicio del Toro walks off.]

Give me the phone. [Ari turns over phone] And the Batphone. [Ari reluctantly turns over Blackberry hidden in ankle]

S3 E18The Resurrection

[Vince gets a call from Ari who patches him to Joe Roberts, his rival for the Medellin script rights]

Hey Joe.

JRJoe Roberts

Vince?

Yeah.

RRoberts

I was a PA on Apocalypse Now. I watched Francis almost kill himself to get that movie made. I watched him go bankrupt, watched him go mad nearly, and I idolized him for it. I never had the passion. For me it was always about the score. You seem to have that passion, Vince, but if you really don't have it and can lose it too, don't kill yourself. At the end of the day, it's only a movie. Good luck, Vince.

[Having an epiphany at the Grand Canyon, Drama has just learned that Five Towns is a huge hit.]

Thank you God...VICTORY!!!!

S3 E19The Prince's Bride

[Yair Marx's wife Nika calls Vince]

NMNika Marx

Apologies for calling your partner Vincent, I somehow took your number down incorrectly.

No worries, I never answer my phone anyway.

NNika

We want to make this movie.

Fantastic.

NNika

Mamm, does it excite you?

Yes it does, so much so [to E] They're in.

NNika

I just have one small concern - creatively. I'd like to meet you at the Beverly Wilshire Hotel in one hour and we'll discuss. Is this okay?

Sure.

NNika

Oh, and one more thing, Vincent.

Yes, Nika?

NNika

Come alone. Ciao.

[Turtle and Kelly are making out in the car, when suddenly..]

KSKelly's brother

Daddy, Daddy, Kelly's jerking another boy in the car!

What are you talking about? We're just kissing! [to Kelly] What does he mean, "another boy"?

S3 E20Adios Amigos

[Having sold the house Vince bought with his Aquaman bonus, the gang does one more thing before they go]

[notices others just getting in their vehicles] Hey guys! The house - get over here. Say goodbye.

TDTurtle, Drama, E

Goodbye, house.

[Billy Walsh has just read the Medellin script]

VINNY!!!

Yo.

Vincent!

Talk to me, what?

Pablo Escobar? Pablo fucking Escobar!?!? [goes up staircase] I've always wanted to make a movie about this guy since I read a story about him blowing up that airliner. I love Pablo Escobar.

EE

So you like the script?

What, was I not just fucking clear?

Can you do it for 25 million?

I don't see why not. I need to talk to the financier.

EE

No problem.

I love it, Vince. Thank you. We're gonna win you an Oscar.

S4 E1Welcome to the Jungle

[The final scene of Medellin has completed its first and only take]

Cut! [walks to E] Start off, suit, I need another one. [E is flabbergasted] Ahh, I'm fucking with you, it was perfect! [crew cheers]

[surveying aftermath] Guys, we did it.

EE

Yeah, who would've thought that two kids from Queens could have pulled this off, but we did, it's gonna be fucking amazing.

You know, I've never felt so good about a movie after making this one. I know it.

DNDocumentary Narrator

Billy, think you've made a good film?

[looks to narrator] Hey, it's gonna be a genius or its gonna fucking suck. 'Til I see the first cut, I have no idea, but you know what? Neither does anybody else.[walks away. Vince, E, and Turtle wonder about what he just said.]

S4 E2The First Cut is the Deepest

[Billy Walsh introduces Vince and E to the post-production crew before showing the first cut of Medellin]

Guys, my whole crew is Latin; help make this film as absolutely authentic as it could be. My editor Raul, his assistant slash little brother Terro. Both Mexican, both totally legal. My, uh, post guy's Brazilian, the caterers from Chile. Every Thursday we get that endangered sea bass flown in.

[sees very pretty Latina woman walk past him] What does she do?

She gives blow jobs. Seriously, she's a street walker I brought back from Colombia.

[The Golds are trying to find out what happened to Jonah at school]

I teach my son never to let people just take things from him. It's my Israeli blood. Okay?

S4 E3Mailbooty

[E has just seen a trailer for Medellin at Billy Walsh's post-production lab]

EE

Wow, this looks great.

TTechnician

Yeah, if only the movie looked so good.

EE

What?

TTechnician

I didn't say anything. [turns off editing machine and leaves]

[E has just found out that Billy suddenly sent a print of Medellin to the Cannes Film Festival committee]

Yes E, I would say being rejected by Cannes before we have a distributor would be a disaster.

These quotes come from Wikiquote's Entourage pages and are available under the Creative Commons Attribution-ShareAlike License.