They'll try again. They just need to be lulled into a false sense of security.
And how do we lull them like that?
We need to arrest someone else and charge them with Whitaker's murder.
AAbbott
We can't arrest people under false pretenses.
AFAbbott and Fischer
[in unison] No.
Oh. Well, that's a problem. I guess we need to think outside of the box.
That's always a bad sign.
You volunteered us to handle the case?
AAbbott
I decide what cases we take next.
Well, I was just being neighborly, and the art squad seemed all for it.
Well, of course they were. They've been chasing this group for years, with no luck.
AAbbott
And what do you know about catching art thieves?
Uh, nothing at all. That's why it'll be fun.
[Fischer laughs]
AAbbott
Okay. We'll take it. Get a hold of Agent Pike in the art squad and get up to speed on this thing. Let's show 'em how it's done.
So, what's the plan to catch these art thieves?
AAbbott
Well, I am just as curious as you are. Jane has been playing this real close to his chest until he figures it out. He said he'll be here to brief us any moment.
[Wylie enters, carrying a notepad and several paper bags]
Still at the party house.
[laughs] Wait till you see it!
Uh, w— this is his idea. How are we supposed to know what to do if he's not here to tell us?
AAbbott
[chuckles] Okay, very well. Please brief the team, Agent Wylie.
Okay! Uh... Here we go. We want the leader of the gang, the one who shot John Hennigan; to find him, we need to gain the trust of Pulaski. So, we know he likes to spend time at his favorite bar. That's where we rope him. We need to plant some bugs and cameras in the bar.
So I can monitor it from here. [to Abbott, handing him something from a paper bag] You're our roper. Jane said you'd know about boxing.
AAbbott
Oh. Well, I never told him, but, yes, I do. [Abbott unfolds and holds up a khaki jacket]
So does Pulaski. That's a good place to start. Uh, I've got some tips for you, if you, uh...
[Abbott gives Wylie a sidelong glance]
But, uh, you — you probably know what you're doing. [to Cho] You're the muscle. Jane said that you could handle your own wardrobe?
Uh... oh, Jane said that the two of you could work out the choreography.
AAbbott
Oh, yeah. That's easy.
Lisbon is playing the inside man, uh, uh, woman - inside woman, with Jane. He wants you to wear this. [he tosses her something from another paper bag]
[Lisbon unfolds it to reveal a form-fitting cocktail dress]
It's a bit much, isn't it?
[Fischer opens the bag and removes a leopard-print minidress]
You're the face. Once Pulaski is at the party, you lure him into the bedroom. Uh, Jane's got some ideas...
Uh, yeah. Thanks. I think I've got it under control.
Then Jane and Lisbon take over.
Uh... [consults notepad] "And then the fun really starts." That's a direct quote.
AAbbott
All right, let's be very clear about something. We don't need you to say anything. We already have the rest of your crew in custody. We have FBI witnesses for armed robbery, assault, kidnapping. We have enough stolen art to start a museum. And, best of all, we have the paintings that prove you killed John Hennigan.
AAbbott
Lawyer. Well, that is your right.
Oh, what song was the marching band playing, by the way?
The marching band that, uh, blocked off the alleyway. What song were they playing?
What are you talking about?
Well, I requested The Yellow Rose of Texas. Were they playing The Yellow Rose of Texas?
The garbage truck, the marching band — you did all that? You steered me to the cab, huh?
The illusion of control. It made you feel safe enough to go where you kept the paintings. Now, unless you have any further questions about how I played you like a big old bassoon, I have someplace fabulous to go. Au revoir!