[Annie meets with some marketing people, along with Stillwell and Ashley]
This is Seth and Evan from marketing.
Hi.
They have some brilliant ideas on how to capitalize on all the buzz. Gentlemen?
Okay. Now, small-town Iowa girl–unexpected child prodigy–is chosen for The Seven.
Destiny knocks on the girl next door's door, and she answers, to fight for truth and justice side by side with her heroes.
The Big Apple is rough, tumble. It's got worms. Muggers and rapists and thieves, oh, my! Dorothy is not in Kansas anymore!
Or Iowa. Poor girl gets knocked around by something fierce. Kicked while she's down.
So what does she do? Does she cry in her milk? Does she quit?
No way!
She adapts! She transforms!
Embraces her feminine strengths!
Good-bye, Yellow Brick Road!
And hello, Starlight!
[A fashion designer, Isadora, pulls back the fabric to show a new Starlight outfit, which is a skimpier version of her old one]
I can't wear that.
What?
Why not? It's beautiful.
Seriously? It's just… It's not me.
I designed Homelander's suit. This isn't my first rodeo.
You're wrong. It's totally you. It's bold, it's brave, it's feminist.
How is that feminist?
It's empowering. It says you're confident in your own skin, and you're not afraid to show it.
Most importantly, it tells the story. Of your transformation. Of what you're going through.
How exactly do you know what I'm going through, exactly? I'm sorry. I–I appreciate the effort. I really do, but I'm fine with my old outfit.
We're not.
Excuse me?
Starlight, like I said before, this is a partnership. In a partnership, there is give and there is take.
It's my body. I have the right to choose how much of it I show.
That is true. You do. You just won't be doing it in The Seven, unless it is wrapped in that.
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