Hi, Lynn.
Lynn Hi, Mr. Reuben.
You keep a neat work area.
Lynn Thank you.
Do you perchance have anything to show me?
Lynn I make it a point never to follow children or nudes.
Oh, Lynn. Let's have a look-see. [he opens up Lynn's portfolio]
Mr. Reuben, I can explain! Well, not without stretching reality, but I can. See...
Class, class..
[shocked] Oh, no.
I want you to see something. [the class looks at Lynn's project] What do you think?
I'll tell you what you think. In my defense, Mr. Reuben. I think I should tell you this is a mistake.
No, no, no, Lynn. There are no mistakes. I am seeing a side of you that I have never seen before. And it's brave. Raw, but inspired. Very good work.
Actually, I was a little more fond of, of this. [shows the class her other painting]
[the class disagrees with her other painting]
No, that we put in a model home in the Valley. But this? This speaks from your soul. Is this spinach fettuccine?
Yes.
Lynn, you've made great strides here. You have combined the stylistic elements of Pollock, Rauschenberg, Jasper Johns.
Chef Boyardee.
Toadies. I love them.
[the class laughs much to Lynn's embarrassment]
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