Jane parks his car next to the crime scene.
PPolice officer
You can't park there.
Sure I can. [points to his car] Look.
“Red Sky At Night” · Season 3, Episode 1
In this episode: Patrick Jane (6), Teresa Lisbon (4), Kimball Cho (1)
The brass and media are going to be all over this like suckerfish.
Well why don't we just give it to the FBI? They love that stuff.
Oh, I wish. It's too late. The new boss is here doing on-cameras. It's our baby.
The new boss? I thought Hightower was boss.
The boss of Hightower? The director of the entire division. I told you about it last week. Your memory's going.
My memory is a mighty fortress, Lisbon, from which no fact ever escapes once committed. Now when you tell me boring things, I set them free immediately. It saves overcrowding.
GDGiselle Dublin
[under tears] Why am I being punished? I'm a good person.
Yes, Ma'am.
GDGiselle Dublin
Stop calling me Ma'am. I'm not your grandmother. How old do you think I am anyway?
[shrugs] 48, 49.
Giselle Dublin starts sobbing and crying all over again.
You just put your hand on me.
DYDrew Yost
No. I mean, yes, but --
Yes. Don't ever do that again.
YYost
Or else what?
[leans in close] You ever smell a dead mouse? Remember that smell?
YYost
Yes.
Well, I just now put a dead mouse in your jacket pocket, and no matter how many times you clean that jacket you will always smell that dead mouse, and you will remember that you should never have put your hand on me.
YYost
[feels jacket pocket and immediately removes the jacket] You son of a bitch.
It's actually just a wadded up napkin, but it has the same psychological effect. The human mind is funny that way.
Really, I'm impressed. You played me like a fish and you lied to me.
I kind of did, didn't I?
I'm glad to see you're learning a few things. Of course, now I shall have my revenge.
What did you tell her?
I was complimenting her on her jacket. It's a vivid color.
Liar.
You're going to call me a liar?
Oh, I hate you. I do.
You're isolating yourself. You're pulling away from us, from me and the team. You are. You are and it's not good. What's going on?
Anybody that gets close to me, bad things happen to them.
A: That's not true, and B: Even if that were true, I'm a cop. It's our job to be in harm's way.
You're not listening to me.
We're family. What you're doing is a kind of betrayal, a surrender, a defeat. You're letting Red John win.
Oh, please. Please. Really? Okay, enough. No more pulling away. Give me a hug.
You don't mean it. I can tell.
What do you mean you can tell. You can't tell. I don't mean it, but you can't tell that I don't. You're guessing!
Yes, I can tell.
How?
I don't know. I can tell when you're lying now.
No you can't tell!
I can too!
That's nonsense. You're lying. Liar, liar, pants on fire.
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