You're doing great, bro.
Stop saying that. I'm a mess.
- Just try and relax.
- Maybe I just don't belong here.
What does this chair say?
- It says "Joe."
- yes, exactly. "Joe," not Lou, not Ed, but Joe. They wouldn't give you a chair with your name on it if you didn't belong here.
- Who's Ed?
- I'm trying to make a point. You're fine saying the lines with just me.
You don't have a dark side. Mona freaks me out. - What if she fires me?
- I won't let that happen.
We gotta go much tighter on Joe. Throw a 75 on, okay?
Gotcha.
- Hi, Mona.
You just pop up all over the place, don't you?
Yeah. I think I figured out what Joe's problem is.
- Oh, do tell.
- It's you.
I'm the problem?
Yeah, you have a way of saying things that are scary and mean. Joe, on the other hand, likes things that are soft and nice.
- Oh, does he?
- If you could give him rewards, Maybe like treats or snacks, that could really help him.
Fascinating. You know, I have a different approach.
- Oh, what's that?
- Security!
- No, that's--
- Get him off my set.
Hey-- - Hey, we're fine.
- Wait, what happened?
- We talked. You're all good. (Kevin screams)
- What? No.
Come on, guys, I've gotta get back to set. My brother needs me. Guys, come on! - (beeps) - Joe, talk to me.
Dude, why did Mona kick you off the set?
Things were said. It's not important. So how you doing?
I am freaking out. You need to get back here.
Picture's up. Where's Joe?
- She coming. (hangs up)
- Joe? Joe! (tries to enter the set again but the two officers that took Kevin off the set prevented him from entering)
I don't think so.
Listen, my brother really needs me. He's back there on set.
And I need a three-hour foot massage, followed by a four-hour foot massage. I think we're both gonna be disappointed.
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