Frank Frink
Hey, what is this?
Frink
Yeah, I see that.
[elated at scenes of the flag-raising on Mt Suribachi] It shows us winning the war.
Frink
But we didn't win the war.
That's what they told us.
[film shows Allied troops riding through liberated towns with crowds cheering them on, and the destruction of Nazi swastikas in public structures]
Frink
Jesus, I know what this is.
Frink
The Man in the High Castle.
Frink
Some guy they told me about, he makes these anti-fascist movies.
[notes footage of VJ-Day celebrations] Makes them GIs in Times Square.
Frink
I know they look real.
They look real because they are real.
[Frank Frink is dealing with antique shop owner Robert Childan, who's not too pleased that Frink just scared off a Japanese couple]
Frank Frink
[given three rounds for his Colt45 revolver] Only three?
This is an antique store, not an armory, and I can't guarantee they'll fire. They're 100 yen apiece.
Frink
[gives yen notes] 300. [sees Childan write in a logbook] What is that?
I'm required by law to keep a registry of all sales of restricted items. So these bullets were purchased by Mr. Satoshi Matsuda, a collector on his way back to Tibet. But I will need to see your identity card on the chance I need to revisit this matter with you, and that is non-negotiable.
Frink
All right, all right. Come on.
I suggest you work on your patience, Mr. Frink.
[Robert Childan is not too pleased to see Frank Frink propose to him about selling fake antique guns]
I'm not an arms supplier, pal. I sell antiques, authentic items only, and fake guns aren't my thing. [has an idea] Tell me something, Frink-san, how good a craftsman are you? I mean, seriously, how good?
Frank Frink
I'm good. Real good.
Could you make this? [shows an issue of Collect Americana magazine with an image of Sitting Bull's necklace] Because I've got a chump lined up to buy it. [Frink looks at the image] Japanese. Their brains are different. I'm sure they eat from English bone china, and they listen to Negro music, but it's all just on the surface, ersatz as the day is long. Condescending bastards look down on me. Here. Look at this. [shows Zippos] Two Zippo lighters. Yeah. Look the same, don't they? Go ahead, hold them. [Frink holds lighters] One of them has "historicity" in it.
Frink
What the fuck is that?
It's worth 100,000 yen on a collector's market. Don't you feel it?
Frink
100,000?
One of those two Zippo lighters was in Franklin D. Roosevelt's pocket the day he was assassinated, so it's got historicity as much as any object ever had. And the other one has nothing.
Frink
That's your point? It's all a giant racket?
And they're playing it on themselves. I mean, a gun goes through a famous battle, and it's just the same as if it hadn't unless you know. It's all in here, [points to nape] in the mind. So who's to say our jeweled choker isn't Sitting Bull's original?
Frink
All right, so which one is it?
Frink
Won't he spot that it's a fake?
The man's already got a forgery in his esteemed collection: pistol aged by an acid chemical. He can't distinguish what's fake from what's real.
Frink
Let's screw him over. 80,000 yen split two ways.
Just make sure it looks good enough.
Frink
60-40. I got materials to cover.
[Frank Frink brings up the Manzanar concentration camp with camp survivor Sarah Murakami]
Frank Frink
Why didn't you tell me about it?
SMSarah Murakami
It's just a patch of dirt, really. About ten hours from here. We were relocated there by the U.S. Army. My family and thousands of other Japanese people. American citizens suddenly considered enemy aliens. My dad said, "Sara, one fine day, they'll win, and they'll open that gate." He meant the Japanese Empire. And one fine day, they did win.
Frink
One fine day for you.
MMurakami
Yeah. They won. But they looked at us, an all they could see was that we left Japan. We weren't Americans, but we weren't Japanese, either. We were...hangyakunin.
Frink
Yeah, traitors. So you hate the Americans. You hate the Pons. Who are you fighting for?
MMurakami
I don't hate anyone.
[Frank Frink and Gary Connell visit a gathering in the California forest]
Frank Frink
What is this?
GCGary Connell
It's a memorial... for Karen. There are people here from the state of Washington, Baja, the Salt Lake. Come on.
MMan
As we gather tonight, we remember that the Lord is close to the brokenhearted and saves those that are crushed in spirit. Remember too, that we are of good courage and would rather be away from the body and at home with the Lord surrounded by the loved ones who went before us. Of course, the Lord can see Karen, even though we cannot. For precious in the sight of the Lord is the death of his saints. So let us lay this saint to rest. And let us not linger, children, for the wolves will soon be upon our door.
[Arnold Walker has just come to Childan's shop and asked Frank Frink to get out of San Francisco immediately and when Frink asks why...]
AWArnold Walker
Frank, Hitler is dying, and when he goes, there's going to be a Resistance uprising, not to mention a very good chance that this entire city's going to be wiped off the planet -
Frank Frink
- by an A bomb.
WWalker
Who told you that?
Frink
You don't think I'm crazy? Who, Arnold?
WWalker
Juliana. She called me.
Frink
Ju... But how did she... Yeah. Yeah, her Nazi boyfriend.
WWalker
Hold on. Wait a minute. Frank. She is in the Reich, but she's not with the Nazis. She's working with the Resistance.
Frink
No, she's lying to you, Arnold. She's been lying...
WWalker
It did not come from her, Frank. It came from an old war buddy of mine and the kind of guy who would give up his life for you. He wouldn't lie.
Frink
And did he know about your day job?
WWalker
All right. [scoffs at being called out over his former Kempeitai job] Frank, that's fair. [walks around then faces him] I wouldn't expect you to understand what I did for my family, but do not call my daughter a liar! She never betrayed you. She never betrayed any of us. And I'm here today because she asked me to come and tell you and Ed to get the hell out of this city... because she still cares about you.
[Frank Frink explains his new artworks to Mark Sampson and gives him samples]
Frank Frink
Take them back with you. I want you to put them up.
MSMark Sampson
Yeah, there's there's something you should know. Um, people are not only putting up your art. They're copying it. Young people, especially. They're they're making it their own. [shows Frank pictures of graffiti resembling his work]
Frink
Ah, this is fantastic.
Frink
All the more reason why we-
SSampson
Look, they're arresting people, Frank.
Frink
I don't want anyone to get hurt.
SSampson
Well, look, in a way, it's out of your hands. Th these sunrises, they'd they don't even belong to you anymore. But this, this is really gonna get the Pons' attention, and not in a good way.
Frink
You said people need to see - all this.
SSampson
Yeah, and and, one day, the time will be right. And when it is, I promise you that we will wallpaper these sons of bitches like nobody's business.
[Ed catches up with Frank Frink at St Theresa's and they talk about Frank's art]
Frank Frink
I just wanted to redeem myself. Anyway, seemed like helping the Resistance was the only way to make any sense out of what was left of my life. It was a mistake.
EMEd McCarthy
And you you tried to tell me.
Frink
Ed, I killed people. I killed people directly. And I got them killed after, too.
MMcCarthy
You know, the Japs' reprisals were, uh, were terrible. You can't blame yourself for that.
[Kido has successfully captured Frank Frink and brought him to a certain place in the desert]
This was once the site of an American-Japanese internment camp. Manzanar.
Frank Frink
Mm.
I was there in 1945 when the camps were liberated. I have seen those painted all over San Francisco and the Neutral Zone. I never imagined they were yours. You have been speaking to me this whole time.
Frink
I've been speaking to a lot of people. They've started to listen. It's beginning.
I know I am a part of what you did. I executed your sister. Your niece and nephew.
Frink
I did what I did out of anger. I, uh, I never wanted to survive. Never thought I'd have to face what I'd done. It changed me.
How? How have you changed?
Frink
Well, I'm... I'm free.
So you are not afraid of death?
Frink
No. No, not anymore. You? Only a death without honor.
Honor. Out of weakness, I let you go. That was my mistake. [goes back to the car, as Sato presents him his samurai sword]
Frink
[as Kido changes into his Kempeitai military uniform] Sh'ma Yisrael Adonai Eloheinu Adonai Echad... [continues singing until Kido decapitates him]