Oh, I have to go talk to Kyle.
Oh, the stalker. Good luck with that, Lizzy.
Roswell · Season 1
Oh, I have to go talk to Kyle.
Oh, the stalker. Good luck with that, Lizzy.
Can I help you?
I think I'll try the redskin basket.
Oh, yeah, I've been trying to get that off the menu for months.
Thanks for the effort. My people are indebted. My name's Eddie.
[Voiceover]: Have you ever had a moment when you're with the one person in the world you want to be with and the wind is blowing through your hair and the song that just describes your entire soul happens to come on, and then the person that you want to be with happens to love the same song and suddenly you realize you're listening to it together? And that no matter how crazy your life has gotten there's this one moment, this perfect moment, where you could just say that no matter what happens, nothing can take this moment away from me...
[A horse appears in the road ahead]
[Voiceover]: And then, something does.
See, I mean, my point is... is that there's no garage band scene here at Roswell, you know? Which makes for a potential genius situation. I mean, we could start an entire music scene, you know?
I think I'm tone-deaf.
You are tone-deaf, Lester. That's why I was thinking the drums for you.
Alex, I need you to do me a huge favor.
Of course. Anything.
I need your blood.
Relax. God, you guys act like I've never tailed someone before. [drives in reverse]
Subtle. He'll never notice us going backwards.
This is the second time you've dragged me to some cheap motel.
Yeah, well, don't spread it around. You'll ruin my reputation.
It's amazing. You wanna know what? A couple weeks ago, if someone were to ask me who I would trust with my life other than my parents, I would have said you without skipping a beat. And now... now I feel like I don't even know who you are.
Alex, I want to tell you, I do, but... it's not my secret to tell. Alex, I need to know what you told Sheriff Valenti.
I want to tell ya, Liz... but it's not my secret to tell.
Liz, I think that what I'm afraid of isn't that we try this and it works out really badly. What I'm afraid of is we try it and it works out really well. I'm afraid of feeling everything that I know I would feel. Because I know it's not meant to be. And somewhere down the line, we're gonna get hurt. I can live with that. I just couldn't bear to hurt you.
You were breaking the law. You were stopping honest, hard-working people from doing their jobs.
Those honest hard-working people were destroying a 200-year-old piece of Native American architecture, raping our town of its history.
Amy, the Native Americans wanted that thing torn down more than anybody.
That's not the point.
Well, it is kinda the point.
[about Alex] Well, he's a complex individual with... a lot of complexities.
[Liz and Max prepare to kiss]
So...
So... let's hope nothing explodes.
I was 18. Naive, clueless. Why did you pick on me?
Because you were cute.
Well, I guess when Liz was shot and Max dissolved the bullet into nothingness and then repaired the damages inside of her that would have otherwise left her dead, I guess that kind of changed my thinking.
Well, I hope so, because dealing with frick and frack over there is one thing, but we can't bring adults into this and expect them to handle it. Adults are the enemy, Max. Remember that.
Michael, you say everyone is the enemy.
They are.
These quotes come from Wikiquote's Roswell pages and are available under the Creative Commons Attribution-ShareAlike License.