In Plain Sight quotes

Marshall

Everything okay with you?

Mary

Besides a witness who --

Marshall

I mean is everything okay with you.

Mary

[looks at him for a while] Everything with Rafe is really good, so --

Marshall

So?

Mary

I should be happy about that.

Marshall

And what are you?

Mary

Scared. Pissed. Guilty. And happy. Happy's in there.

Marshall

Somewhere?

Mary

Happy's under a bit of a pile.

Marshall

How come?

Mary

I think I want something that just doesn't exist. I want something that's just right. No argument or doubt, which is insane, right? Because there's always argument, there's always doubt. So, I guess what I'm after here is the insane goal of an insane person.

Marshall

I would say it's the ideal goal of someone who has somehow managed to protect the purest part of her heart, which does not seem insane to anyone who really knows you.

Mary

Which would be you and you.

Look, without Krista, there's no point in anything.

Mary

Wade, I know it seems impossible now, but you might meet someone else, someone you love just as much, maybe more.

You've never really been in love. If you had, you'd understand.

Mary

I have... I am.

Did it happen with one look? Because everything you need is right there in that first second of that first look. I remember it like it was yesterday. I was... in line buying a belt. Turned to pay, and there she was. She looked up and... sunk a hook in my heart. It'll be there till the day I die. You got a story like that about you and your boyfriend?

Mary

Well... we met at a diner.

And?

Mary

And he asked me out, and I said no. Ran into him again, I asked him out, he said no. I really can't talk about this.

You need love.

Mary

[voiceover] Some say love is the only thing we have that is real. Some say life would be a whole lot better without it. For me, the jury's still out. I loved that pet rock my dad gave me because it was from him. Then I threw it at Robert Kwame. Hit him right in the temple. He went down like a Christmas tree in January. I loved Robert, I just wanted to make sure he knew it. I think he did. He ended up being my first kiss.

I think we need to have a talk.

Mary

Okay.

I don't think we should get married in July. Or at all.

Mary

[sighs] I knew it when Rita hugged me.

You've said it before. I didn't listen. You and I, we don't work.

Mary

It's been hard from the start. [Rafe nods in agreement] I don't know why it isn't easier.

Life isn't short. It's long and honestly, I don't know if you love me enough to make this work.

Mary

I do love you.

But enough? Maybe that's why it's been so difficult. If I'm wrong you'll say something before I get out of here, okay?

Mary

Okay.

Mary

What is that?

Marshall

My first work of origami. Notes?

Mary

Stop now or you will never get laid again.

Mary

[voiceover] Help: the absolute worst of the four letter words and the one I know best. A six year old on tip-toes peering into Brandi's crib, my mother on the bedroom floor, scrounging for the booze, that word coming out of their mouths as a gasp. Like destiny. Help. I've learned over time help doesn't mean grab the other paint roller or hold the ladder still. It means, hey, I screwed up, now what are we gonna do? Help, more than anything, is the not so subtle herald of the appearance of we. Don't even get me started on happy to help.

Mary

No silence. I can't take silence right now.

Marshall

Okay. Why aren't you wearing your engagement ring?

Mary

Raph and I broke up. [long pause] I said no silence.

Marshall

Right. So.

Mary

Oh, my God, Marshall. You're killing me.

Marshall

I really don't know what to say.

Mary

Now? Now you don't know what to say? Seven years I get a combo geyser of Wikipedia, Jeopardy, Star Trek, Dead Poet's Society, Carnac the Magnificent and now, the one time I need a steady stream of useless numbing babble I get car sounds!

Marshall

When did you two break up?

Mary

No, no, no! No questions! Anyone can do questions. I want pointless quotes! Useless trivia! The downpour of idiocy you practically patented! Come on! It's a twenty minute car trip. I don't want to think about my life, okay? Amaze me, annoy me, distract me. Is that so much to ask?

Marshall

This is so weird. I got nothing.

Mary

Oh, my God. You're verbally impotent.

Marshall

I swear, this has never happened before.

Marshall

I guess I'll have to return the ice cream maker I got for your engagement gift. French style, highly aerated ice cream in twenty five minutes. You know, the history of ice cream is as fascinating as it is long. Let us begin at the beginning. In ancient Greece --

Mary

Marshall. I'm good.

Marshall

Sorry I choked before.

Mary

It happens.

Marshall

Not to me.

Mary

I'm sure you'll be great next time.

Marshall

Maybe we can just talk?

Mary

[laughs] Sure.

Marshall

So, why did you and Raph break up?

Mary

Because he's a beautiful, sweet, sensitive man who adored me.

Marshall

Yeah, who wants that?

Mary

Exactly.

Mary

[voiceover, as Marshall fields a call from Faber for her without her knowing] Help, every now and then, is something more than a four letter word. Sometimes it's just a baby crying for her sister from the confines of a crib. And sometimes, if you're lucky, help comes without asking, because somewhere nearby is someone who'd rather keep you from falling than help you up after you do.

Mary

[voiceover] I like the sound of three word phrases. Fools rush in. Greed is good. Character is destiny. That one comes up a lot when a witness stares down the barrel of a whole new life. Documents, jewelry, snapshots; we take it all, and as much as I preach to them about a chance to start over fresh, I keep a stash of letters from a father who left and never came back. Witnesses can't hang onto a stash of anything. They're lucky we let them keep their secrets.

Marshall

He's sure been a model witness the last three months.

Mary

Oh, yeah. Nice, quiet, cooperative contract killer.

Marshall

I almost admire your resistance to the idea that people grow.

Mary

I think people grow. Worse.

Marshall

Okay, what?

Mary

What what?

Marshall

There's something else.

Mary

No there's not.

Marshall

Yes, there is.

Mary

Like what?!

Marshall

I don't know. There's something you're not telling me.

Mary

Stop. It's like you rent a room in my head.

Marshall

And somewhere in mine you occupy a small pied-à-terre --

Mary

[makes a face] Don't say pied-à-terre.

Marshall

-- and we're allowed to close the doors now and then, so to speak, but it can't last. You won't be able to hold out. You're just going to blurt it out at some point. I'm giving you the chance now to blurt!

Mary

Nothing happened! No blurting.

Marshall

Whatever you want to do here, I'll back you.

Mary

No, because what I'm going to do here will probably get me fired, and if you get fired, too, I'll have no one to move in with and mooch off of.

Marshall

Lucky for you my interests are varied and my career options infinite. If this whole thing goes horribly pear shaped, whatever's next for me, my coattails are always there for you.

Mary

Oh, yeah? What's origami pay these days?

Mary

[voiceover] Character is destiny. For the chronic do-gooder, the happy-go-lucky sociopath, the dysfunctional family, under the gun everyone reverts to who they are. We may hunger to map out a new course, but for most of us the lines have been drawn since we were five.

Mary

[voiceover] We moved on Christmas Eve the year that I turned six. Jinx got us some used 45s, a yard sale Big Wheel, and a patch of grass out back. She told me if I pedaled good and slow I could go anywhere I want. Anywhere extended only as far as our back yard, but still, it was freedom. A six year old's version of the open road. That was probably the last vehicle I got really attached to. Until now.