An occurrence at Owl Creek Bridge: in two forms, as it was dreamed... and as it was lived and died. This is the stuff of fantasy, the thread of imagination... the ingredients of the Twilight Zone.
S5 E22An Occurrence at Owl Creek Bridge
S5 E23Queen of the Nile
Jordan Herrick, syndicated columnist, whose work appears in more than a hundred newspapers. By nature a cynic, a disbeliever, caught for the moment by a lovely vision. He knows the vision he's seen is no dream; she is Pamela Morris, renowned movie star, whose name is a household word and whose face is known to millions. What Mr. Herrick does not know is that he has also just looked into the face—of the Twilight Zone.
Everybody knows Pamela Morris, the beautiful and eternally young movie star. Or does she have another name, even more famous, an Egyptian name from centuries past? It's best not to be too curious, lest you wind up like Jordan Herrick, a pile of dust and old clothing, discarded in the endless eternity of the Twilight Zone.
S5 E24What's in the Box
Portrait of a TV fan. Name: Joe Britt. Occupation: cab driver. Tonight, Mr. Britt is going to watch 'a really big show,' something special for the cabbie who's seen everything. Joe Britt doesn't know it, but his flag is down and his meter's running and he's in high gear - on his way to the Twilight Zone.
The next time your TV set is on the blink, when you're in the need of a first-rate repairman, may we suggest our own specialist? Factory-trained, prompt, honest, twenty-four hour service. You won't find him in the phone book, but his office is conveniently located - in the Twilight Zone.
S5 E25The Masks
Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will leave the Earth. But before departing, he has some things to do, some services to perform, some debts to pay — and some justice to mete out. This is New Orleans, Mardi Gras time. It is also the Twilight Zone.
Why must you say such cruel and miserable things to me?!
Why indeed, Emily. Because you're cruel and miserable people. Because none of you respond to love. Emily responds only to what her petty hungers dictate, a prime example of this being her marriage to Wilfred... a marriage which broke her dear late mother's heart, in every sense! Wilfred responds only to things that have weight and bulk and value. He feels books, he doesn't read them. He appraises paintings, he doesn't seek out their truth or their beauty! And Paula there lives in a mirror. The world is nothing to her than a reflection of herself. And her brother. Humanity to him is a small animal caught in a trap to be tormented. His pleasure is the giving of pain, and from this, he receives the same sense of fulfillment most human beings get from a kiss or an embrace! You're caricatures. All of you. Without your masks, you're caricatures! (the clock strikes twelve) And now you're all very rich. Now you own everything that I have owned. You kept your bargain. You wore the masks. Enjoy yourselves, dear ones. I've lived a full life. May God pity you. (Jason goes limp)
He's dead! At long last, he's dead!
Good!
(takes off his mask) Now, let's celebrate!
Oh!
What's the matter? What's the matter with you all?!
(Wilfred's face has taken on the appearance of his mask, and the others take off their masks revealing the same has happened to them)
(Jason's butler takes off the mask, revealing Jason's dead face looks normal with a peaceful expression
This must be death. No horror, no fear. Nothing but peace.
Mardi Gras incident, the dramatis personae being four people who came to celebrate and in a sense let themselves go. This they did with a vengeance. They now wear the faces of all that was inside them—and they'll wear them for the rest of their lives, said lives now to be spent in the shadow. Tonight's tale of men, the macabre and masks, on the Twilight Zone.
S5 E26I Am the Night—Color Me Black
Sheriff Charlie Koch on the morning of an execution. As a matter of fact, it's seven-thirty in the morning. Logic and natural laws dictate that at this hour there should be daylight. It is a simple rule of physical science that the sun should rise at a certain moment and supersede the darkness. But at this given moment, Sheriff Charlie Koch, a deputy named Pierce, a condemned man named Jagger, and a small, inconsequential village will shortly find out that there are causes and effects that have no precedent. Such is usually the case - in the Twilight Zone.
You seen the light, Reverend. You really seen the light.
Have you? [turns to crowd] Have any of you? In all this darkness, is there anybody who can make out the truth? He hated and he killed and now he dies. And you hated, you killed, and now there's not one of you... Not one of you who isn't doomed. Do you know why it's dark? Do you know why it is night all around us? Do you know what the blackness is? It's the hate he felt, that hate you felt, the hate all of us feel, and there's too much of it. There's just too much. And so we had to vomit it out. And now it's coming up all around us and choking us. So much hate, so much miserable hate.
A sickness known as hate. Not a virus, not a microbe, not a germ, but a sickness nonetheless. Highly contagious. Deadly in its effects. Don't look for it in the Twilight Zone. Look for it in a mirror. Look for it before the light goes out altogether.
S5 E27Sounds and Silences
This is Roswell G. Flemington, two hundred and twenty pounds of gristle, lung tissue and sound decibels. He is, as you have perceived, a noisy man, one of a breed who substitutes volume for substance, sound for significance, and shouting to cover up the readily apparent phenomenon that he is nothing more than an overweight and aging perennial Sea Scout whose noise-making is in inverse ratio to his competence and to his character. But soon our would-be admiral of the fleet will embark on another voyage. This one is an uncharted and twisting stream that heads for a distant port called... the Twilight Zone.
When last heard from, Mr. Roswell G. Flemington was in a sanitarium pleading with the medical staff to make some noise. They, of course, believe the case to be a rather tragic aberration - a man's mind becoming unhinged. And for this, they'll give him pills, therapy, and rest. Little do they realize that all Mr. Flemington is suffering from is a case of poetic justice. Tonight's tale of sounds and silences from... the Twilight Zone.
S5 E28Caesar and Me
Jonathan West, ventriloquist, a master of voice manipulation. A man late of Ireland, with a talent for putting words into other people's mouths. In this case, the other person is a dummy, aptly named Caesar, a small splinter with large ideas, a wooden tyrant with a mind and a voice of his own, who is about to talk Jonathan West into the Twilight Zone.
These quotes come from Wikiquote's The Twilight Zone (1959) pages and are available under the Creative Commons Attribution-ShareAlike License.
