According to the Bible, God created the heavens and the Earth. It is man's prerogative - and woman's - to create their own particular and private hell. Case in point, Miss Elva Keene, who in every sense has made her own bed and now must lie in it, sadder, but wiser, by dint of a rather painful lesson in responsibility, transmitted from the Twilight Zone.
S5 E19Night Call
S5 E20From Agnes—With Love
James Elwood, master programmer, in charge of Mark 502-741, commonly known as 'Agnes,' the world's most advanced electronic computer. Machines are made by men for man's benefit and progress, but when man ceases to control the products of his ingenuity and imagination, he not only risks losing the benefit, but he takes a long and unpredictable step into - the Twilight Zone.
Advice to all future male scientists: be sure you understand the opposite sex, especially if you intend being a computer expert. Otherwise, you may find yourself, like poor Elwood, defeated by a jealous machine, a most dangerous sort of female, whose victims are forever banished - to the Twilight Zone.
S5 E21Spur of the Moment
This is the face of terror: Anne Marie Henderson, eighteen years of age, her young existence suddenly marred by a savage and wholly unanticipated pursuit by a strange, nightmarish figure of a woman in black, who has appeared as if from nowhere and now at driving gallop chases the terrified girl across the countryside, as if she means to ride her down and kill her - and then suddenly and inexplicably stops, to watch in malignant silence as her prey takes flight. Miss Henderson has no idea whatever as to the motive for this pursuit; worse, not the vaguest notion regarding the identity of her pursuer. Soon enough, she will be given the solution to this twofold mystery, but in a manner far beyond her present capacity to understand, a manner enigmatically bizarre in terms of time and space - which is to say, an answer from the Twilight Zone.
This is the face of terror: Anne Marie Mitchell, forty-three years of age, her desolate existence once more afflicted by the hope of altering her past mistake - a hope which is, unfortunately, doomed to disappointment. For warnings from the future to the past must be taken in the past; today may change tomorrow but once today is gone, tomorrow can only look back in sorrow that the warning was ignored. Said warning as of now stamped 'not accepted' and stored away in the dead file in the recording office of the Twilight Zone.
S5 E22An Occurrence at Owl Creek Bridge
Tonight a presentation so special and unique that, for the first time in the five years we've been presenting The Twilight Zone, we're offering a film shot in France by others. Winner of the Cannes Film Festival of 1962, as well as other international awards, here is a haunting study of the incredible, from the past master of the incredible, Ambrose Bierce. Here is the French production of "An Occurrence at Owl Creek Bridge."
An occurrence at Owl Creek Bridge: in two forms, as it was dreamed... and as it was lived and died. This is the stuff of fantasy, the thread of imagination... the ingredients of the Twilight Zone.
S5 E23Queen of the Nile
Jordan Herrick, syndicated columnist, whose work appears in more than a hundred newspapers. By nature a cynic, a disbeliever, caught for the moment by a lovely vision. He knows the vision he's seen is no dream; she is Pamela Morris, renowned movie star, whose name is a household word and whose face is known to millions. What Mr. Herrick does not know is that he has also just looked into the face—of the Twilight Zone.
Everybody knows Pamela Morris, the beautiful and eternally young movie star. Or does she have another name, even more famous, an Egyptian name from centuries past? It's best not to be too curious, lest you wind up like Jordan Herrick, a pile of dust and old clothing, discarded in the endless eternity of the Twilight Zone.
S5 E24What's in the Box
Portrait of a TV fan. Name: Joe Britt. Occupation: cab driver. Tonight, Mr. Britt is going to watch 'a really big show,' something special for the cabbie who's seen everything. Joe Britt doesn't know it, but his flag is down and his meter's running and he's in high gear - on his way to the Twilight Zone.
The next time your TV set is on the blink, when you're in the need of a first-rate repairman, may we suggest our own specialist? Factory-trained, prompt, honest, twenty-four hour service. You won't find him in the phone book, but his office is conveniently located - in the Twilight Zone.
S5 E25The Masks
Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will leave the Earth. But before departing, he has some things to do, some services to perform, some debts to pay — and some justice to mete out. This is New Orleans, Mardi Gras time. It is also the Twilight Zone.
Why must you say such cruel and miserable things to me?!
Why indeed, Emily. Because you're cruel and miserable people. Because none of you respond to love. Emily responds only to what her petty hungers dictate, a prime example of this being her marriage to Wilfred... a marriage which broke her dear late mother's heart, in every sense! Wilfred responds only to things that have weight and bulk and value. He feels books, he doesn't read them. He appraises paintings, he doesn't seek out their truth or their beauty! And Paula there lives in a mirror. The world is nothing to her than a reflection of herself. And her brother. Humanity to him is a small animal caught in a trap to be tormented. His pleasure is the giving of pain, and from this, he receives the same sense of fulfillment most human beings get from a kiss or an embrace! You're caricatures. All of you. Without your masks, you're caricatures! (the clock strikes twelve) And now you're all very rich. Now you own everything that I have owned. You kept your bargain. You wore the masks. Enjoy yourselves, dear ones. I've lived a full life. May God pity you. (Jason goes limp)
He's dead! At long last, he's dead!
Good!
(takes off his mask) Now, let's celebrate!
Oh!
What's the matter? What's the matter with you all?!
(Wilfred's face has taken on the appearance of his mask, and the others take off their masks revealing the same has happened to them)
(Jason's butler takes off the mask, revealing Jason's dead face looks normal with a peaceful expression
This must be death. No horror, no fear. Nothing but peace.
Mardi Gras incident, the dramatis personae being four people who came to celebrate and in a sense let themselves go. This they did with a vengeance. They now wear the faces of all that was inside them—and they'll wear them for the rest of their lives, said lives now to be spent in the shadow. Tonight's tale of men, the macabre and masks, on the Twilight Zone.
These quotes come from Wikiquote's The Twilight Zone (1959) pages and are available under the Creative Commons Attribution-ShareAlike License.
